The speaker draws a comparison between
himself and a fly that he has thoughtlessly brushed away. He asks if he is like
the fly, or the fly is more like himself. He imagines another, greater hand,
perhaps that of God, brushing him away some day and ending his private designs.
He concludes with the belief that he is indeed like the fly, not in his
insignificance to Fate or chance, but in the fly’s significance in the natural
world. Just as the fly dances and sings, so does the speaker. Thought is what
gives him life and breath, and “the want/of thought is death.” He takes joy
simply in existing, with little thought or worry over what tomorrow may hold.
Analysis:
This five-stanza poem takes on a playful rhyme scheme and meter, despite its
serious and somewhat morbid subject. The first four stanzas are ABCB quatrains,
each made up of terse lines to communicate the brevity of life, which is the
subject of this poem. The final stanza, however, is an AABB rhyme scheme, a
pair of rhyming couplets, which lends an even more playful quality to the poem
as a whole while offering a moral or coda to the entire work.
This poem also returns to Blake's theme in Songs of Experience of the place of
thought in the quality and quantity of human life. The speaker harms the fly
with his "thoughtless hand," indicating that thoughtlessness leads to
death. Whatever power exists higher than the speaker may also be thoughtless or
completely indifferent to human life, but that cannot be changed. The speaker
thus resolves to live each moment fully, but his moment of contemplation leads
him to this life-affirming conclusion.

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