Tughlaq by Girish Karnad
The drama opens; Tughlaq
implores his subjects to observe a social setting in "without any
consideration of might or weakness, religion or creed." The idealism
with which Karnad depicts Tughlaq is in stark contrast to both the historical
judgment of him rendered and the political reality within which Tughlaq must
work. Such a depiction shows how difficult political authority is. It is
one that compels authentically transformative leaders to risk much in order to
challenge an existing system that goes against their vision. Karnad's
depiction of Tughlaq as one who sought to put aside religious differences in
the hopes of embracing secularism is a powerful issue in the drama. Tulghlaq
states early on that he wishes to see unity between Hindus and Muslims
as a significant part of his vision: "Daulatabad is a city of
Hindus and as the capital, it will symbolize the bond between Muslims and
Hindus which I wish to develop and strengthen in my kingdom."
Aspiration collides with reality as Tulghlaq fails in his vision.
It is because of such a condition that Karnad suggests Tulghlaq is seen
as a failure.
This dynamic is significant
when set against the condition in which Karnad writes the drama. In 1964,
India had been less than two decades removed from Partition and Independence.
The result was a nation where direction and trans formative vision was
hard to establish. A nation born from Gandhian principles was still hopelessly locked in sectarian violence and communal hatred, the very elements
that Karnad's Tulghlawq desires to overcome in the drama. The theme of
political aspiration being limited by temporal reality is a significant one in
both the drama and the historical condition in which it is written.
Tulghaq's initial judgment rendered upon a Brahmin that he "should
receive a grant of five hundred silver dinars from the state treasury… and in
addition to that…a post in the civil service to ensure him a regular and
adequate income" is a reflection of how a transformative political vision
might not necessarily be received well by the public. This theme of
political transformation stumped in the face of temporal reality is a
significant part of the drama. It is reflective of the India that Karnad
sees in front of him, a stunning realization between the gulf between what is
and what can be. The chaos and fragmentation that results out of a vision
steeped in genius and transformation becomes a part of both the ruler's
narrative and the nation's history.
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